
‘The Brutalist’ Revives Interest in VistaVision, a Format with an Aesthetic All Its Own, at TCM Festival
VistaVision is back. Brady Corbet’s “The Brutalist” not only earned Lol Crawley the Best Cinematography Oscar but has sparked a renewed interest in the format — one that is now being further fanned by unconfirmed reports of the 35mm horizontal format also …